• GRAMMY REWIND: Michael Jackson

    52nd GRAMMY Lifetime Achievement Award: Michael Jackson

    MJ

    [Photo: Kevin Mazur/WireImage.com]

    Get your own Official 54th GRAMMY Program book!

    By Quincy Jones

    Every decade in the music business you have a phenomenon. In the ’40s you had Sinatra, in the ’50s Elvis, in the ’60s the Beatles, and in the ’70s the innovation of Dolby coupled with the brilliant work of Stevie, Elton and Marvin.

    In the ’80s, you had Michael Jackson. For everyone from 8 to 80, Michael Jackson was the biggest entertainer on the planet. Together, along with my dream team of Rod Temperton, Bruce Swedien, Jerry Hey, Greg Phillinganes, Siedah Garrett, “JR” Robinson, Louis Johnson, Undugu and all the other brilliant members of our gifted family, we shared the decade and achieved heights that I can humbly say may never be reached again, reshaping the music business forever.

    I simply loved working with Michael Jackson. This blessed artist, who commanded the stage with the grace of an antelope, shattered recording industry records and broke down cultural boundaries around the world, yet remained the gentlest and most complex of souls. Michael Jackson was a different kind of entertainer. A man-child in many ways, he was beyond professional and dedicated. Evoking Fred Astaire, Gene Kelly, Jackie Wilson, Sammy Davis Jr., and James Brown all at once, he’d work for hours perfecting every kick, gesture and movement so that they came together precisely the way he intended them.

    Divinity brought our souls together on The Wiz when I was searching for his missing solo song “You Can’t Win,” and allowed us to do all that we were able to throughout the ’80s. To this day, the music we created on Off The Wall, Thriller and Bad — as well as the E.T. Storybook and the collective that was “We Are The World” — is played in every corner of the world, and the reason for that is because he had it all: talent, grace, professionalism, and dedication. He was the consummate entertainer and his contributions and legacy will be felt upon the world forever.

    It is hard for me to acknowledge that Michael is gone. I lost part of my soul when he passed away, and there’s not a day that goes by that I don’t think of him. We all made incredible music together and in doing so made history. The fact that in the wake of his passing Michael Jackson once again dominated album and download sales around the world for an entire summer is a testament to the deep impact that he had on millions of souls throughout his entire career. 

    I have a sense that Michael still had much more to contribute as an artist; sadly we’ll never know. But I promise you in 50, 75, 100 years, what will be remembered is the music. It’s no accident that almost three decades later — no matter where I go in the world, in every club and karaoke bar — like clockwork at the witching hour I hear “Billie Jean,” “Beat It,” “Wanna Be Starting Somethin’,” “Don’t Stop ’Til You Get Enough,” “Rock With You,” “Smooth Criminal,” “Thriller,” “Man In The Mirror,” “P.Y.T. (Pretty Young Thing),” “Human Nature,” and “The Way You Make Me Feel.” In every language, from prison yards in the Philippines to the tribute site Thrilltheworld.com, that is the incredible legacy that he leaves behind, and that’s the only thing that matters. Anything other than that is simply noise.

    AllMusic.com calls Quincy Jones the renaissance man of American Music. His career stretches from stints in the bands of Lionel Hampton and Dizzy Gillespie in the ’50s to the present day, and has included roles as a music, film and TV producer, publisher, and as an unspoken ambassador for music worldwide. He has a record 79 GRAMMY nominations and has won 27 GRAMMYs, including awards with Michael Jackson for Album and Record Of the Year.



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  • GRAMMY REWIND: Ramones

    53rd GRAMMY Lifetime Achievement Award: Ramones      

    Ramones                   

    [Photo: Jeffrey Mayer/WireImage.com]

    By Seymour Stein 

    Being head of Sire Records, which turns 45 in 2011, I was responsible for all artists, and as hard as it was not to show favoritism, for the most part I succeeded. It was hardest with the Ramones, partly because soon after I signed them their manager Danny Fields asked my wife Linda to be his partner. It was harder still because I admired the band’s total dedication to their music, despite the fact that selling millions of records eluded them throughout their career.  

    With Linda as their co-manager, the Ramones knew my every move. One Sunday within 10 minutes of returning after a 10-day trip to London, I received a call from Johnny. “Seymour, we got some great songs, ya know, we want you to hear ‘em, ya know.”  

    I said, “Great, just got home. Come in anytime you want on Tuesday.”  

    “No, we want you to hear ‘em live, ya know, and we know you’re not doing anything Wednesday night, ya know, so we booked ourselves into CBGBs.” 

    That evening proved monumental. The opening act was supposed to be the Shirts. I had seen them many times before and was standing outside the club with Lenny Kaye. 

    The opening act goes on and I hear a screeching voice: “When my love, stands next to your love…” and all of a sudden as I’m sucked into CBGBs. I say, “That’s not the Shirts.” Lenny says, “No, they got another gig, that’s the Talking Heads.” 

    Armed with the Ramones and Talking Heads, amid the buzz building around the Bowery and CBGBs, Sire finally got the distribution deal I always wanted with Warner Bros. Records, where we have been for the past 35 years.  

    Thank you Johnny. Oh yes, and thank you Joey, thank you Tommy, and thank you Dee Dee.  

    Over the years I can’t tell you how many artists were lured to Sire by the Ramones, and yes, also Talking Heads.  

    The Ramones made it seem easy and as such were an inspiration to bands as varied as U2, the Red Hot Chili Peppers, Green Day, Pearl Jam, the Offspring, Motörhead, Metallica, the Undertones, the Strokes, Bad Religion, Black Flag, Dead Kennedys, Sonic Youth, Bad Brains, and many others.  

    I remember when we first brought the Ramones to London back in 1976. Members of the Clash and Sex Pistols, both only semi-professional at the time, attended the second show and it was said both bands turned pro right after that. 

    According to Danny Fields, Johnny Ramone asked the Clash’s bass player Paul Simonon, “Are you in a band?” Paul said, “Well, we just rehearse. We call ourselves the Clash, but we are not good enough.” Johnny said, “Wait ’til you see us. We stink, we’re lousy, we can’t play. Just get out there and do it.”  

    Joey Ramone had the biggest heart ever and was always trying to help new acts. Last time we spoke, two weeks before he died, Joey called to tell me he had just sent a new band’s CD.  

    Bono once said at a Madison Square Garden gig, “We love New York City…New York City has given us a lot of things, but the best thing it ever gave us was a punk rock group called the Ramones, without whom a lot of people would never gotten started; certainly us!”  

    Eddie Vedder might have set a Rock and Roll Hall of Fame record by speaking for more than 20 minutes when he inducted the Ramones back in 2002. “The Ramones didn’t need Mohawks to be punk. They’re visually aggressive. They were four working-class, construction-worker delinquents from Forest Hills, Queens, who were armed with two-minute songs that they rattled off like machine-gun fire. And it was enough to change the Earth’s revolution.” 

    I’ve been to Beijing twice this past year to check out China’s emerging punk music scene. There is a club called D-22, reminiscent of CBGBs, and aspiring young bands like Carsick Cars, P.K.14 and Rustic are carrying on the tradition, further proof the Ramones’ music is truly global and will endure forever.  

    As founder of Sire Records, Seymour Stein signed the Ramones, Talking Heads, Pretenders, Madonna, all of whom have been inducted into the Rock and Roll Hall of Fame, Depeche Mode, Echo And The Bunnymen, Ice-T, the Replacements, the Smiths, k.d. lang, Erasure, the Cult, the Cure, Seal, the Undertones, Barenaked Ladies, among many others, to the label. He was inducted into the Rock and Roll Hall of Fame in 2005.

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  • Three-time GRAMMY® winner and Recording Academy Lifetime Achievement Award recipient Etta James leaves behind a dynamic legacy spanning six decades. Her music knew no boundaries as she explored diverse genres including blues, soul, R&B, rock and roll, gospel and jazz. She will forever be remembered for her timeless ballad “At Last,” and a powerful voice that will echo around the world for generations to come. We extend our deepest sympathies to her family, friends, fans and all who have been stirred by her soulful songs and passion for music.
Neil Portnow
President/CEO
The Recording Academy®


[Photo: Barry Brecheisen/WireImage.com]

    Three-time GRAMMY® winner and Recording Academy Lifetime Achievement Award recipient Etta James leaves behind a dynamic legacy spanning six decades. Her music knew no boundaries as she explored diverse genres including blues, soul, R&B, rock and roll, gospel and jazz. She will forever be remembered for her timeless ballad “At Last,” and a powerful voice that will echo around the world for generations to come. We extend our deepest sympathies to her family, friends, fans and all who have been stirred by her soulful songs and passion for music.

    Neil Portnow

    President/CEO

    The Recording Academy®

    [Photo: Barry Brecheisen/WireImage.com]

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  • PREMIERE: Adele 54th GRAMMY Awards #WeAreMusic 

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  • #WeAreMusic 54th GRAMMY Awards Campaign

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  • Stay tuned to our Instagram account tomorrow to learn how you can win this 54th GRAMMY Awards prize pack every week leading up to The #GRAMMYs!http://instagr.am/p/gVCmB/

    Stay tuned to our Instagram account tomorrow to learn how you can win this 54th GRAMMY Awards prize pack every week leading up to The #GRAMMYs!http://instagr.am/p/gVCmB/

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  • Pre-Order the GRAMMY Nominees CD on Amazon & iTunes NOW! Out Jan. 24th http://2012grammycd.com/ #grammys
http://instagr.am/p/f2uNK/

    Pre-Order the GRAMMY Nominees CD on Amazon & iTunes NOW! Out Jan. 24th http://2012grammycd.com/ #grammys

    http://instagr.am/p/f2uNK/

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  • They are one of a kind performances, only seen on The GRAMMYs. Who do you think will be performing on Music’s Biggest Night this year?! #grammys #wearemusic

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  • (via iamfckinamazing)

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  • (Source: soundgarden-addict)

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  • GRAMMY Rewind: 1st Annual #GRAMMY Awards 
http://grm.my/aP6oYk
[Photo: Ron Galella/WireImage.com]

    GRAMMY Rewind: 1st Annual #GRAMMY Awards 

    http://grm.my/aP6oYk

    [Photo: Ron Galella/WireImage.com]

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  • Billboard Magazine’s #GRAMMY Issue is on newsstands now! 

    Billboard Magazine’s #GRAMMY Issue is on newsstands now! 

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  • The 54th #GRAMMY Awards Album Of The Year Nominees…

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  • The Recording Academy Announces Special Merit Nominees;
Allman Brothers Band, Glen Campbell, Antonio Carlos Jobim, Steve Jobs, Gil Scott-Heron, George Jones, and Diana Ross among Special Merit Awards recipients
For more info: http://grm.my/vGzkwG 

    The Recording Academy Announces Special Merit Nominees;

    Allman Brothers Band, Glen Campbell, Antonio Carlos Jobim, Steve Jobs, Gil Scott-Heron, George Jones, and Diana Ross among Special Merit Awards recipients

    For more info: http://grm.my/vGzkwG 

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